Anything that depends entirely on circumstance is fragile by definition. It exists at the mercy of whatever happens next. The more durable version of tranquility is not a mood at all. It is a structure.

I use those colors to combine with black, white, or grays. I try to develop two-dimensional and three-dimensional forms. I still research and experiment in abstract illusionism. I am deeply interested in combining Hard-edge paintings into action, which flows into optical colors. Gradation represents my form of Neo-Platonism.